
Eris de Egaña (Madrid, Spain, 1995) is a self-taught multidisciplinary artist whose practice integrates music, tattooing, painting, and garment-making. Their work operates at the intersection of the urban and the dissident, approaching creation as a tool for freedom, the questioning of identity, and social transformation. They have participated in musical, radio, and audiovisual projects, researching the relationship between the body, sound, and collective practices. Their current production focuses on music and chainmail making, understood as devices for materializing a bodily and political awareness oriented toward the construction of freer and more humane futures.